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Fight me on it

Every time people lament changes to the lore that amount to "not every member of species X is irredeemably evil" and claim the game is removing villains from it, I think how villains of so-caleld evil species fall into two cathegories: a) bland and boring and b)have something else, unrelated to their species going on for them, that makes them interesting.

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  • I'd argue Devils, by their nature of being lawful as well as evil, are often interesting villains because of their "species", but it's kinda different when it's a creature literally made from the primordial essence of Evil rather than just a bad dude.

    • I'd love to be literal devil's advocate here and argue devils just think different, in ways usually not immediately beneficial to in-universe society but ultimately a plus by instead providing a stress test for development of what is in universe considered 'good'. Insert the quote from Legend what is light without dark.

      • Understandable - I prefer lovecraftian and fey creatures for alien thought processes, and use devils more as a foil/mirror to the lawful god of cities, merchants, and wealth, whomst I hate and will take any opportunity to drag.

  • Can confirm, I run a LOT of dragons and the interesting dragon villains are generally about finding unique takes on their common traits or villains because of their response to their circumstances rather than pure random villainy. We've got the red dragon who self-perpetuates her own cycle of violence, we've got the black dragon who's mentally broken because their worldview of being entitled to everything due to their strength collapsed after they lost a territorial struggle, we've got the emerald dragon who's desire not to be bothered by their humanoid allies led them to neglect their promises, we've got the silver dragon who loved her friends so much she was willing to fall into necromancy to try and undo their deaths.

    Also we have That Bastard With Eight Player Kills.

    That said, always remember: To become cliche, something needs to work super well first- so well that everyone does it. It only crosses from great into cliche if everyone does it and forgets why and how it worked in the first place.

    • Oh, please do tell the story of That Bastards With Eight Player Kills

      • Young Black Dragon called Gendridd, wasn't meant to be a major obstacle, his personally is that he's evil mostly just because he's having a fantastic time being an asshole and constantly taunting people (to the extent that the first and so far only lair effect he's got is the ability to heckle people at any location in the lair). Anyways he was fully aware that he'd get one-rounded trying to fight a party of four level 7 PCs, so instead of fighting them stole the party's unattended bags and sat in a tree to taunt them about it before flying off (he did not consider this might lead to fighting them anyway).

        The party's plan was to ambush him in his own territory, so their plan was to cut through some of the most overgrown parts of the swamp to get behind his lair and set up an ambush, instead of confronting any of his minions. However, between several spellcaster party members who had both completely dumped their strength/dexterity and couldn't cast spells while drowning, party members wearing full heavy armour that weighed them down significantly, and bad rolls, then two of them fell into a bog, and in trying to rescue them the others also fell in and they all drowned, resulting in the first TPK.

        Obviously that wasn't a super satisfying ending, so for closure I offered to run a oneshot with a level 5 party in Gendridd's lair, sent to avenge the original party, on condition that I wouldn't hold back with enemy strategy and tactics (no bullshit with magic, just good enemy postioning, balanced teams that had lots of options in fights, and had actual battle plans). They made it through most of the dungeon pretty well, while constantly trading off verbal barbs with Gendridd who basically ran a snarky sports commentary the entire way through, letting them know how eager he was to crush them when they made it to HIS big boss chamber. Anyways they reached the outside of the chamber and they were just preparing to fight the skeletons who were guarding his door when he jumped out of an acid river behind them and got a Surprise Round, hitting two of them with a breath weapon and then rolling good enough initiative to knock out their fragile backline casters.

        After that then he's become popular/respected enough to get Promoted To NPC.

        TLDR: First wipe due to RNGiamat cursing the d20 and a party badly suited to dealing with falling in a bog. Second wipe because Gendridd employed the secret chromatic dragon art of 'lying to people'.

    • I’m known for running mostly human campaigns, but one of my favorite tricks is to run a seemingly human villain with personality traits usually associated with an evil monster, then as the adventure goes on the learn that the heraldry features the monster etc etc.

      Of course they know me, so they all think it’s metaphor and inspiration.

      But at the very last minute, when they think they have him cornered and taken care of all the lackeys…. SURPRISE MOTHERFUCKERS! He drops his magical disguise and it’s an old fashioned D&D lair boss battle!!!!!!!

  • I think a huge problem with this is trying to frame everything through D&D as well as our perspective. Fuck modern D&D and its desire to control the entire dialogue. Wizards of the Coast aside, there’s also a fantasy component here. I personally dislike requiring all races to act exactly like humans with human motives. From a specific perspective, we view the wanton murder and sacrifice of wood elves by the drow as a terribly evil thing. From the drow perspective, why can’t the opposite be true? I’m not talking about Salvatore’s one-sided writing that makes it clear the whole thing is a massive con. D&D is very biased toward human motive and perspective. Why can’t both be true? Drow are evil to us and we are evil to them? That’s a much more interesting story and completely changes the narrative around someone like Drizzt.

    This is a really nuanced take on speculative fiction in general. I also strongly feel that, the way WotC writes things, removing racial alignment is very important. There is no nuance in their universe. Even when we see other races, we always evaluate their action through a human lens rather than being presented a cogent paradigm contrary to ours.

    • DnD good and evil are distinct from common usage of the terms; they are cosmic forces, objective truths. Each action reverberates through the higher and lower planes and tilts the scales towards victory for one side or another in their eternal struggle. This lore doesn't leave a ton of room to change the alignment of entire races (and that is by design, structure makes it easier for people to get in to the setting).

      But this is just in the established settings, any DM is free to homebrew any setting and justification they like.

      Note that I am not trying to defend this as the height of storytelling, it isn't. It is a consequence of how the setting is justified - with deities being active participants, having specific rules for granting and revoking powers, and the physical presence of higher and lower planes embodying perfect conceptions of 'good', 'evil', order, chaos, etc. All of this can be changed, and again any DM is free to change it, but the 'deep lore' of the established settings over the past 40 years is drenched in this stuff.

      One way to consider it is simply - the Drow aren't evil because they are Drow. The Drow are evil because their culture promotes actions that align with the literal true definition of evil that is present in the setting. Evil doesn't mean bad, it is just a label aligning with some physical rule of the universe. Just like the positive charge of a proton and negative charge of an electron are labels for physical rules of our own universe. Positive isn't any better than negative, but they are inherently distinct.

  • Gotta agree with that one as removing pre-existing restrictions from character (playable or not) creation like predetermined “evilness” offers virtually no drawbacks. It opens up the game by improving its core sandbox mechanics and if one dislikes that change then they can just ignore it.

    • Well any good DM can homebrew non-evil aligned 'evil' characters

      Kinda the whole point is to put a spin on it, and alignment doesnt need any kind of balancing

  • There's a game called Wildermyth where every faction is inherently incompatible with humans, but none of them are inherently evil.

    For example, the Gorgons are an empire seeking to reclaim lost territory. This is fair, but they're aquatic, so they need to flood the world to take it back. Humans naturally need to fight them in order to survive, and there's no real way to compromise on that. It doesn't help that they ooze corruption everywhere they go.

    • Wildermyth is a fucking legendary game and everyone should play through All The Bones Of Summer

      • Everyone should play through all of it! Eluna and the Moth is amazing! Sunswallower's Wake is amazing! A Walk in the Unlight is amazing! I may like this game just a little bit.

        To everyone who never played it, Wildermyth is essentially a story focused, randomly generated fantasy X-COM. You play as a company of heroes crossing the wilderness and hunting down monsters, coming across all the fantastic things therein. Campaigns take in-game decades to finish, so the heroes you start with might retire and their kids might join the fight later on. It's one of those games where I have run out of people irl to recommend it to, so now it's your turn!

  • Personally, as a DM I get tired of how many different intelligent species there are. It makes worldbuilding very hard. I tried carving out space for each of them, but it wasn't worth it. These days I prefer to just get rid of most races, but it's a bit hard to tell which ones to keep.

    • Try flipping your process. Instead of working from the full list and taking things out, start from an empty list and add stuff in. If there isn't a good enough reason for it to be there, don't put it in. And if this leaves you with just humans, that's fine.

      I'm not removing githyanki from my game. Githyanki were never in my game.

    • That's one thing I love about shadowruns setting. You have all the races, but they don't really have to have a space carved out for them, since humans just became these races literally overnight. They just fit in with society as human, but...

      • Totally agree, shadowrun is so much fun, and the setting (especially in Germany) has so many fun details

    • Instead of trying to specifically carve out spaces for each one, try just figuring out the balance of the starting play area and immediate neighboring regions. Then have rough ideas of where some other continents in the world are, and as other spieces come up that are rare for the region you can say they are originally from continent X.

      Until the players actually go visit these other places, you don't need to have societies fully formed and figured out. Once players decide to visit, you should have at least one session of sea/air/whatever travel buffer to give you time to populate new lands (and can then adjust for any storyline/player interest.)

      For example, in my campaign I told my players that the elven homeland was in the continent to the south. Three years later they are finally going to visit there, and it turns out I now know that the elders and majority of elves in the capital city live in a giant treetop metropolis while halflings and some other races are engaged in a 1920s style drug-fueled gang warfare on the ground level amidst a technological revolution (Drive-by violence is much more interesting with repeating crossbows and fireballs instead of tommy guns and bombs). The elves care very little about what the "dirty ground races" are up to because as a consequence of their longevity, they are very slow to change and adapt to a changing world.

      Had I tried to figure out their society at the start of the campaign, it would have been nothing like that.

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