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"Sponsored recommendations": I pay for Spotify Premium, and yet somehow I'm still the product?

I opened Spotify this morning to be greeted by a modal popup with a "sponsored recommendation".

Why am I seeing ads if I'm already paying for the premium plan!? 😑

392 comments
  • In the immortal words of James Stephanie Sterling "corporations don't just want some money. They want all of the money"

  • It seems you can turn it off by touching "what's this?" or "learn more" the next time you see one of these.

    Really shitty that they don't even put this as a setting though.

  • Might I add, I hate the way every user-facing UI has devolved into the Youtube Shorts / TikTok "doomscrolling" swipe-UI now. There seems to be absolutely not a single braincell left in UI development to even consider the actual use case of the interface.

    It's all just:

    1. Monkey see UI to build.
    2. Moneky see TikTok big.
    3. Monkey do.
  • GenX here. Spotify came long after my youth. It came during my regression into second childhood.

    TLDR: You don't need a spotify/tidal/whatever, a personally curated collection of music is awesome and not being able to instantly play anything is not a death sentence. It can make things more fun by introducing things like anticipation.

    I was once a music-obsessed child whose only access to most music was the random chance of hearing it on the radio. There were a few magical tunes that I wasn't sure what album they were from or even who it was that would sometimes come in from the universe and give me a lift.

    Then my mom got me a Woolco stereo for a birthday, 6th or 7th I think, and I now had the incredible ability to buy a 45 for a small amount of money - my allowance covered at least one, I remember, with money leftover for a large stash of candy to last out the week - and be able to hear any (one) song I wanted, anytime (that I was near my stereo). At used record stores I could get whole albums.

    At some point I discovered that some record stores (I'm talking mall record stores in Saskatoon here, not hipster record shops on the lower east side) had a sort of 45 backlog, a section of older hit records you could still order, with a book you could look through for titles. Back then, it was understood that sometimes one hit tune was all an act was ever gonna have, and there was not a need to shove 9 remixes down your throat as an excuse to pump you for the price of an LP.

    When you bought an LP, you got this 12" square of cover with it, big enough for detailed photos of the band, or lyrics, sometimes you'd even get a gatefold sleeve (so four broadsides instead of just two in full color, occasionally they would do this even without a second LP being included). Sometimes even high concept stuff, like Styx's "Kilroy Was Here" in the mid-80s, a concept album which featured still shots and narrative segments of a 20-minute movie the band had shot of the Science Fiction storyline, which was a response to the various shenanigans of the political establishment of the time. These included the Satanic Panic, which has been thoroughly explored in podcasts in recent years, along with Tipper Gore's P.M.R.C., which started with she heard Prince do Darling Nikki and by the end had elevated Frank Zappa, Dee Snider and John Denver as an unlikely triumvirate of free expression champions who spoke eloquently and with no uncertainty as to their message against this nascent fascism, and which I believe was the real reason Al Gore lost his election.

    Anyone who loves music or freedom remembered.

    Anyways I remember on many boring car rides where all I got was, you know, Aerosmith for the billionth time, that I wished there was a kind of car radio that you could just tune in by artist name and song and it would just play anything. As I saw it, we had telephones that I could talk to our relatives in other places with, why couldn't I just tell the radio station what song to play electronically as well?

    And about forty years later, we did indeed have that. More or less. All we had to do was murder the idea of music as art that is worth paying the artists for. We can quibble over rates and such, say this streamer only shaves the skin down to a few quivering nerve endings whereas Spotify skins the artist alive, but we all know that flogging the artist until they have no skin left is not the way to produce great art.

    So I got off. I've started to collect up my old physical collections as flac files, which my phone has plenty of room for. I make playlists like I used to make mix tapes to entertain myself on my drives.

    Now in my case I can point to having spent about $20 in 90s-00s money on most of the albums I've amassed so I just put it together how i could. I bought LPs, I bought cassettes, I bought CDs and I even bought some itunes downloads, and in many cases I did it twice for the same record over the years. In other cases I never bought the record, sure. Some of those allowance weeks I bought blank tapes instead of 45s OR LPs.

    But basically, pick the artists you actually like who are working and signaling that they need help, and make a point of sending them some money. Buy a shirt, buy a physical media, LPs are still a lot of fun but pretty pricey. But just, take your music into your hands and your hard drive. Don't stream anything. Carry it with you. Figure out how much space you've got on your phone, or get an SD card for it. Phone doesn't have an SD card? You picked a bad company to buy from I guess, cause now you've started to play the game of triaging.

    In the 80s, if I was going out of town for the weekend to camp or whatever, I had to decide how much collection to carry with me. Do I just bring a few mixtapes? Do I bring a box of tapes to cover every musical necessity? Do (gasp) just listen to the radio? It was a whole part of your packing, deciding what music to have at the ready and what to not be able to play if you don't think of it now. It was a game you played with yourself. Later on it was burnt CDs, then CDs full of MP3s when the stereos got smart enough. But same game, until Spotify "solved the problem" by just making everything available everywhere, at a price you won't believe (because someone's been skinned to get that price, and it wasn't the scumbags at the head office, I assure you).

    Get off the streaming. Take your music into your hands. Build a collection of your favorite music and cherish it. Support artists directly. Stop pretending that paying for a streaming service is doing anything but murdering music as art and making you lazy in the soul.

  • Since they believe that they are the landlord and you are a tenant using their product so ... !

  • I recently tried a new feature they added that would add recommended stuff into my already made playlists. I didn't like it and turned it off in the settings, but it still persists in basically advertising music that is completely unrelated to what I have. Like I shouldn't be hearing fucking TikTok by Kesha in my 90's grunge mix. It's all the more infuriating that it continues to act as if it is on when I turned it the fuck off.

    • For being so sophisticated, it's incredible how dumb the Spotify algorithm is.

      For me somehow it decided Pink Moon by Nick Drake was my favourite song. At first it just threw it in the mix randomly when albums finished playing and it went on to play suggestions, but after a few times of me not skipping it it went ballistic. Now every time an album finishes it goes straight to Pink Moon. No matter what Spotify radio I try playing it will be Pink Moon. I keep skipping it and it keeps coming back. I don't have a problem with Nick Drake I just can't stand that song any longer. I never once played that song intentionally.

      In the end I just cancelled my subscription.

      • It feels like they did it on purpose, because the main reason I actually pay for Spotify is because it generally is actually pretty good at recommending songs based on other songs I've checked the like box on, and I was able to find new music that didn't completely suck balls.

        This shuffle feature doesn't seem to use the same algorithm. It just shuffles in artists that are currently popular and may have paid for the bump.

    • I absolutely loathe this new shuffle feature. I want to listen to my playlists not be spoon-fed advertising garbage. I remember one year Spotify had this thing where it was injecting popular x-mas songs into your playlist in the free version. What's worse was you couldn't skip the songs. I went back to using old MP3s for the rest of the month.

  • ..I'm still the product?

    Yes. You always will be with any corporate streaming service.

  • I'd love to leave streaming services and roll my own server, but I rely on things like the Release Radar and song radios for discovery and just haven't been able to find a self-hosted solution for that.

    I don't want to have to plan out the music I'm going to listen to, I just want to dive in.

392 comments