The movie was forgettable and not that special. Going to the IMAX with my uncle and three cousins and watching our first ever (and only ever) 3d movie together and squealing the whole 3 hour car ride home about how much fun we had as a family is one of my best memories.
I think this is what people forget about Avatar. It was never supposed to be the best writing or the best story. It was purely just to show off incredible ground breaking CGI technology. Seeing it in IMAX was a damn near religious experience, but watching on a TV at home just doesn't do it justice.
Bluntly manipulative melodramatic tripe that ejects me completely from the movie, just as with Titanic. James Cameron decided to keep churning out the modern cgi version of a top hat-wearing villain cackling and twirling his mustache as he leaves the damsel tied to the train tracks, and it is kind of dismaying that he got so thoroughly rewarded for it.
Back when Marvel was financially struggling, they started selling off rights to various characters. Sony bought Spider-Man (and a handful of other characters), and that’s where the Tobey Maguire movies came from. It’s also why the X-men will likely never be a part of the MCU, because Sony owns the movie rights to (most of) the mutants.
The Spiderverse movies are basically Sony riding the wake of the Tom Holland hype. To be clear, they’re phenomenal movies. But they’re only tangentially related to Marvel.
I liked the original tobey maguire spidermans, but that was 20 years ago when they came out (and I was a teenager). I like them now for the nostalgia, not so much for the movie it is. And after those nothing really spoke to me. I went to see quite a bit of newer movies because my gf and friends do like them, so occasionally I give in and tag along for the company (I distinctly remember age of ultron and infinity war pt I for how bad it was, but the memory of some others I've seen faded the minute we got in the car home)
For me these movies all feel the same and formulaic. The stories are predictable, the characters flat and the edit is just too much focused on extreme visuals, spectacle for the sake of spectacle. I find many storylines very forgettable, to the point I even forgot that I've seen some movies before. In the edit, they are trying very, very hard to evoke emotions from the audience using tricks and tropes; but in the end it's all a hollow shell, a cash grab without authenticity. At least, it feels that way for me. I understand many people love these movies, they're just not my thing.
The Dark Knight Rises. Not only is it a bad Batman movie, it oddly has a pro cop message. Also, I can't take Bane seriously at all with that ridiculous voice.
All of Nolan’s Batman movies were heavily pro-cop. Watch TDK again: the day is saved by illegal surveillance, and Batman faces no consequences for using it.
Prior to Rises, most of the Gotham cops were depicted as extremely corrupt, though. Gordon was something of an exception, although even he looked the other way for his corrupt co-workers
This is how I felt about all the Nolan Batman movies, except it was Batman himself I couldn't take seriously because of Bale's ridiculous Cookie Monster voice. I think I burst out laughing in the theatre when I first heard it.
The way I feel about the MCU is like an old relationship where there's not much love left and you can't seem to break it off. Some days you have vain hopes, other days you hate yourself for being too coward to leave.
That's where the comparison ends, because in a relationship you can talk things over together and try to work things out.
Almost all of Will Ferrell's movies, but especially Talladega Nights, a stupid movie about stupid people doing stupid things according to a stupid script. It's one of two movies I've ever walked out on (the other being Splice, which is just gross). Stranger Than Fiction is the only good movie with Will Ferrell in a starring roll.
But that’s the point of Talladega Nights, no? It’s meant to be stupid, silly, and absurd. It’s not a drama, it’s a comedy about race car drivers.
Like if that’s your opinion, fine, im not trying to change your mind. But walking out on a comedy cause you thought it was too stupid is like closing a book because it had too many words.
IMO good comedy is more than stupid people acting silly, that's an incredibly reductive view of the genre. Comedy should be clever and play to more than just the basest impulses. Even a comedy about stupid people can be smartly written. An example brought up in this thread is Zoolander. It's silly and absurd, but it's also smart, even though the characters are stupid. Talladega Nights is just stupid.
The only Will Ferrell movie I'll watch again is Anchorman. Because yeah, in most cases the humor in a Will Ferrell movie is just screaming inappropriate things.
I've got a similar problem with Ben Stiller. He is by far the worst part of Night in the Museum. We get a bunch of cool and funny stuff happening only to have it slam to a halt so we can have some "Excuse me, Mister sir, but you, shouldn't um." May god damn Ben Stiller to work in an obscure plumbing fittings retailer followed by retirement in obscurity.
Probably getting some hate for saying this, but…. The Dune movies are some of the worst big budget movies I’ve seen. They look nice and the cinematography is awesome but that movie feels so damn empty.
“Wooden performances” is the only way to describe the acting in Lynch’s. That movie is a confuding mess and painful to watch if you don’t know the story. A movie can’t simply assume you’ve read the book to understand it. People can only truly prefer Lynch to Villeneuve ironically. You can’t honestly think it’s better film.
I've only watched the first one. Visually it was great, but the scenes over shadowed the plot to such a degree that, even having read the source, it was still hard to follow.
I would not call it a bad movie, but I'd file it with Avatar and the fountain as being more about the experience than the story.
I watched the first one in the theater and thought it was dry but okay. I tried rewarding it when the second one was coming out and I turned it off like 1/3 of the way through. I watched the second one but it couldn't hold my attention at all.
I agree with the Dune movies and in particular I think I don't like Denis Villeneuve; He takes a cute sci fi short story like "stories of your life" and turns it into a very self important dull thing. Then he takes a Novel about flying through space with drugs and doing guerriilla warfare while riding sand worms and it all feels so somber and rigid. Man has no fun in him.
Damn this one hard for me. I absolutely hated the casting and screenplay. But it really redefined how i see the universe in my head when i read the books.
Snowpiercer. It was highly rated on Rotten Tomatoes and from the poster I thought it stared U2's The Edge, so I took a chance. That was the dumbest shit I've ever seen.
I suppose a movie in which they spend half of the time running through sleeper cars wouldn't have conveyed the same message about classism.
Time to fight the army of goon in an empty car that seemingly serves no purpose than to host a large violent brawl, now it's time to walk through the sleeper car for all the goons you fought, now it's time to walk through the kitchen car for the goons, not it's time to walk through the laundry car for the goons. Oh look, it's a rich person party car, what a weird thing to have at all in any context, are they aware the world has ended? Now time to go through the partier's sleeper car, then the partier's kitchen car, then the partier's laundry car...
Literally the only movie I've ever turned off part way through. Youd think that the producers would have, i don't know, accurately depicted the force the movie is named after.
Once Sandra catches his broken teather he comes to a complete stop. The line is taught, so effectively they're both moving in roughly the same orbit as the station they're attached to. That means they're also moving at the same speed as the station. The net forces at that point for Clooney's character are effectively zero (not exactly zero as there is still a bit of atmosphere causing drag at iss heights).
In real life, he's "safe" in that scenario. In the movie, some magical force continues to be applied to him which ends up overpowering his grip, which was totally fine seconds before, and he falls to his death.
I dont know if the science gets better after that, never watched past it.
Titanic is better if you interpret it differently:
Jack never existed. He was a coping mechanism for Rose to get away from crippling depression and self harm.
The whole movie can be interpreted that way, and it makes it much more interesting. There is no direct evidence for Jack's existence, and everything we hear about him interacting with others is from interviews with Old Rose.
In fact, some parts of the film make more sense when watching this way. Rose's near-miraculous ax hit to free Jack from handcuffs? Never happened. Not getting caught in cargo storage despite having a very involved tail who apparently just gave up? Never happened -- or at least, the part where Jack and Rose have sex in the car never happened.
There is a nude drawing of Rose which she says was done by Jack; however, it is actually signed "JD", so technically could have been any commissioned artist with those initials. In fact, Cal could even have set it up himself -- again, you only ever get Old Rose's version of events. Though we see Rose given the Heart of the Ocean diamond while on board Titanic (and she is wearing it in the drawing), there is once again no reason that must be the case, and since the drawing isn't dated, it could even predate her voyage. The letter she claimed she wrote to Cal about said drawing is not found with it, despite the two documents apparently being stored together.
And, note that a "Jackdaw" is a type of bird with various connections in lore -- one of which being that Jackdaws appear as a precursor to death or an omen of death. Rose claims she met Jack Dawson when he saved her from a suicide attempt.
The Godfather. The characters are empty and hard to attach to, the sound is terrible, there's so much filler in the editting it becomes a chore as I watch yet another seemingly pointlessly extended shot or micro-scenes—Why?! What was the point?!—And yet I'm meant to feel something when this character I hardly know since about 10 mins ago gets killed?
I was gonna ask why so I could provide a counter argument, but then the question specifically asks for a movie you will never be convinced is good. So I won’t bother lol.
I gave them an updoot for answering the question even though my personal opinion is that the two new Dune movies are top 10 movies of all time.
Nothing appeals to everyone, and I dislike a lot of critically acclaimed movies and other media because while they just don't resonate with me. Top Gun Maverick was a mediocre retread of so many movies that came before it that while it was well executed from a technical perspective, I found it forgettable and don't understand the hype.
Not the person you're replying to, but for my own POV:
I think the new Dune movies are the best they could be and I'm glad I was able to catch them in theaters, but they've also convinced me that Dune just isn't a franchise I'll ever be interested in. I'm not sure if I'd bother with the third movie, and any spin-offs are also fully out of the question for me.
Lucas directed Star Wars. Any. He's an awful director in almost every aspect. Some of the worst acting from extremely talented people I've ever seen because he doesn't know how to direct them.
Take the same cast, story, massage the script, and have ANYONE else direct, and it'd be great. I just can't with Lucas.
While he directed the first film, Empire and Jedi had other directors. When it came to the prequel series Lucas really tried to get someone else to direct, but everyone turned him down as the project was "too daunting".
Though, I kinda think it might be because growing up, this movie was spoiled in almost every cartoon I ever saw ("Rosebud" was the punchline of so many jokes) and maybe not knowing the ending would have made it better. 🤷🏻♂️
So many culturally defining movies came out before the 1980s that by the time you're being raised in the 90's, they're making children's media that references it. I knew the plot of Star Wars long before I saw it.
My favorite example is The Mask of Zorro, which...not an old film, but it came out when I was slightly young for it. A few years go by, I'm in high school, and Shrek comes out. Then it's sequel, with a swashbuckling orange cat voiced by Antonio Banderas. And then I eventually catch Mask of Zorro, and laugh through the entire thing because holy shit the main character sounds exactly like Puss In Boots.
A lot of things that were once creative experiences have been redone to death to the point that it can be difficult to understand what the whole hubbub was with the original.
So, yes, you have to think of it in the context of the era, which may require looking up what was made at the time, what had come before and what came after. It's a bit like paintings or other pieces of art, some of them are interesting beyond what they just represent, but for what they introduced in the world as a statement when they were made (which, admittedly can sometimes be a bit obscure). There too, a little work on the public's part is required to understand why one piece and not another is usually held in high regard (you're then totally free to disagree, or not enjoy it, but context matters quite a bit).
BladeRunner - is like they wrote the screenplay based on the excellent source novel, then cut most of the ideas out, leaving only things that make no sense. Rick Deckard is a terrible detective, and only wins the final confrontation because Roy Batty... just gives up? I recently decided that my teenage self might have been wrong and rewatched it... nah, still terrible.
The directors cut/final cut does improve the plot line but admittedly the original movie is more vibes than substance. I think a lot of the "neo-tokyo" cyberpunk aesthetic we take for granted had tropes which originated in this film.
I'm pretty sure my recent rewatch was the director's cut. The theatrical release must have been indecipherable.
I hear what you're saying about the cyberpunk aesthetic - the visuals were the best thing about this movie. I would thoroughly recommend scifi buffs reading Do Androids Dream of Electric Sheep by Phillip K. Dick - it's an excellent (and not overly long) dystopian novella that has so many layers and themes (that Blade Runner largely omitted).
A mix of half the movie being porn, the plot centering around a child in an adult woman's body doing nothing but having sex, the overall message being "women having sex with everyone makes them grow as a person".
Eternal Sunshine if a Spotless Mind has such good reviews and people speak fondly of it online. I hated it, just thought both characters were insufferable, and there was nothing remotely romantic about it. Felt like I was trapped in the bad relationship with them.
Mad Max: Fury Road. I thought that was dumbest, most caveman pleasing trash that has ever received that much acclaim. Truly, the entire movie is designed to make a caveman go, "OOhhhH!.... WwAaHh!... FFIIRE!.... DwWoOah!..... HaHhh!..... OOhhhH! LaDy!!...HhaHh!... MAD!!.....WoOoHhh!"
I enjoyed it. Great cinematography and practical effects. My wife? Not so much. She broke it down as.. "oh look! They drove away! Then the drove back! The end! That was the whole movie!"
"Being smart is such a curse I'd rather get a lobotomy" is boring, self-serving and trite, but the Reefer Madness-level "drugs bad" thing in Requiem is unbearable and requires every character to be entirely nonsensical.
Trainspotting was four years old by that point. How critics let Aronofsky get away with it is beyond me. To this day the closest I've been from walking out of a movie theatre. The only reason I stuck around was it was in a festival and I was there with other people.
For me I just feel like I'm not equipped to judge it. I haven't lived in the time period it first came out in and I've enjoyed the options of thousands of different forms of entertainment at my whim for most of my life (mid 30s). I imagine when there were far fewer things going on and options to choose from you might see this movie in a whole different light.
All that being said I like some older movies just fine, like Harvey which came out 9 years later, so maybe my judgement is fine and Citizen Kane is boring as fuck. 🤷
I know this is heresy but any Godfather movie, or the Sopranos, or anything that romanticizes the fucking mafia. To me organized crime characters are pieces of shit I can't admire or relate to. The only movie that ever made me root for gangster types was Pulp Fiction, which is a masterpiece.
It had to grow on me, kinda like a fungus. I didn’t like it the first time. For some reason I was convinced to watch it twice more. Now it’s solidly alright for me.
I'm rereading the book right now and just watched the movie. While I agree it's... not good and certainly not faithful to the source material, I think the kids were all fantastic. They acted their little hearts out and - in my opinion - really nailed the characters.
Me neither but to be fair I don't like fantasy, adventure or fighting lol. My brother convinced me to have a LOTR marathon and lemme tell ya I got a LOT of laundry done that day....
I completely understand you, even as a fan. Tolkien style of fantasy aged like milk. It's contribution to the genre and literature as a whole is impossible to measure, but it's just not fun anymore if you never saw it before. The movies aged a little better, but still not great. Anyone who says otherwise has either seen his work a very long time ago, or is looking at it with nostalgia glasses. Noone in 2025 could get through all the goofy-ass singing, lack of any shades of gray, unrealistic battles, and tree branch backstories without rolling their eyes once or twice. It really requires the viewer to not treat it too seriously, something like orginal Star Wars Trilogy.
Idk Andor is some of the best star wars ever. Even considering the original 3.
Also the lightsaber tech that they have adds so much to the visuals of the movies and TV. Having lightsabers that actually glow AND allow for contact during combat is just incredible.
Good Lord some of the answers in this thread. I first thought this was like an unpopular opinion community. Is this all just Edge Lords trying to say the most popular and well regarded movies they can?
Yeah it's pretty funny. Most of these are just "it's overrated" complaints, which is not the same as a film being iredeemably bad. Feels like a lot of these people just hate being exposed to opinions that differ from their own, so over time these overrated films have morphed into a 1/10 atrocity in their head despite none of their issues with them actually reflecting that level of hatred. You could definitely make a compelling argument for many of these films being good, and the only reason these people wouldn't be convinced is because of their aforementioned personality flaw.
I was actually really enjoying the whole cat and mouse thing until the main fucking character died off-screen.
How does nobody ever talk about how shitty that "plot twist" is? It's not clever. It's not entertaining. It's just bad storytelling. They don't even show you a good shot of him to convey what actually happened. My girlfriend and I had to rewind it twice because it was so fucking stupid and made so little sense.
That's actually how I feel about most of the Coen Brothers' movies. The classical narrative structure exists for a reason. It's a good framework for telling a story that makes sense.
Sometimes there's a good artistic reason for diverting from that and telling the story in an unconventional way. Other times it's just pretentious auteur garbage.
This might come off as pretensions, but you should trust the writers more. The movie, and book, are very well written, and if something doesn't make sense, you should consider that you missed something.
I'll say this, Llewelyn Moss is not the main character. The movie doesn't start or end on him. He doesn't change or evolve as a character. How he died isn't the point.
It helps to focus on what Anton Chigurh said about rules, and what the Sheriff says about what he is willing to die for.
If you want me to just spell out the theme, I can do that to, but I think you would enjoy it more if you trust the movie.
Yeah, I've heard that before, about how Llewelyn isn't the main character. Not trying to be rude to you, but that sounds like bullshit. He's the character I'm rooting for. If the main character isn't the character I'm rooting for, then that doesn't sound like an enjoyable movie.
If you're saying Chigurh is the main character: he doesn't grow either.
If you're saying Tommy Lee Jones is the main character (which I've heard before), then I'm going to strain my eyes from rolling them so hard. He doesn't at any point interact with the plot. That's not good writing.
I get the Coens are doing it differently. They're not following the rules for how stories should be told. But different isn't the same as good, and the way they told the story was needlessly confusing and pretentious.
I always find it useful to use food as a metaphor to describe how I feel about movies. If No Country For Old Men were a meal, it would be expertly seasoned and cooked, with one extra ingredient that doesn't belong there and detracts from the whole thing, like if you made a perfect steak and drenched it in liquorice sauce.
And it would be served on a scrap of driftwood, or in a fishbowl, or on literally anything other than a plate. Everyone around me would be raving about the side dishes while I'm wondering why my meat tastes like shit.
You can include themes in a movie and still tell a coherent story. Try this: remove the theme. Is the movie any good? Is the plot entertaining, and does it make sense? No, it'd be really awful, and the inclusion of a theme doesn't excuse that.
Did you read the book? I haven't seen the movie or read the book, but I just read mcarthys the road and it was excellent, no country is next on my list. Hopefully the book can redeem it for you, but if it's all a sour taste just read the road. It made me realize the point wasn't an explanation about what did happen or what would happen, he was exploring the relationship of father and son through what was happening.
The 2005 Elektra movie. It nearly killed Jennifer Garner's career! There's so much of that movie where I just have to wonder "What the fuck were they thinking?"
I wanted to like it, but both my partner and myself were bored out of our minds watching it. Also what was that line… “I’m a BIPOC pangender”? Nobody has ever fucking talked like that.
End scene was fucking dope. That brought it up to a 6/10 for me.
Event horizon. It has a big following but I don't get the big horror. And the gore in the director's cut is more annoying than shocking. Maybe if it was the first space horror movie you watched
One of the worst I've ever seen is the Korean film 'Stray Dogs' (2014). There is so much unnecessary sexual violence towards women in this film and almost none of it has any relevance to the story. It's not like a rape revenge thing either where the victim eventually comes out on top - in this film the victim is a blind woman who cannot even defend herself with a knife she is given. The supposed protagonist of the film rapes his wife at the beginning and then engages in voyeurism for much of the film while this poor blind woman is raped every single night by the entire town. When he finally decides to do something about it he is absolutely fucking hopeless, as are the townspeople attempting to stop him. It is so misogynistic and poorly written, I have no idea why anyone agreed to be in it. Anyone who enjoyed this film should go on some kind of watch list.
Sometimes people make movies where there is no winner, I like those movies because it mixes things up from the normal formula, another one that is very bleak is "the road"
It's literally Indiana Jones but with kids (in a good way).
I think though if you didn't watch it as a kid it may not hold up as well. I know some people who watched it later in life and it didn't capture the same magic for them.
I was trying to think of one and was thinking I haven't really experienced intensely hating a movie that other people loved. Then I saw someone comment Avatar... that was one of the most overhyped events I've ever experienced. I don't care about the entire Marvel franchise, but I'm sure someone could convince me of their merits. No one's going to make me see Avatar as anything but rehashing an old story with annoying 3D gimmicky visuals.
Nostalgia, mostly I'd guess. It was on all the time on TNT for years and I think we watched it so much that it became ingrained in us that it was great.
"There Will be Blood" was one of the most drab, boring, washed out, and damn near unwatchable movies of all time, yet everyone claims it's a masterpiece. It's just a story of a man becoming richer than god, and going off the deep-end, culminating in a scene where his adopted kid tells him how much they hate him, and him murdering someone in a misguided fit of rage. None of the characters are relatable, redeeming or interesting. The script has like a grand total of 1000 words across the entire 2.5 hour run time, and none of it is particularly compelling. What a snooze fest.
I get where you're coming from. There will be Blood is based on an Upton Sinclair novel, Upton Sinclair was a staunch socialist and this could be felt in his writing. The film is a send-up of American exceptionalism. Daniel Plainview literally pulls himself up by his bootstraps. In my opinion it's an amazing comedy
I appreciate the perspective! Gotta say though, Jesus that's some deep-level dark comedy that I just don't understand. I was watching it as more of an art piece, and less of a commentary. I still don't like it, but I never thought of it in this light.
Hmm, I sort of agree about Ledger. I rewatch Inception, Interstellar, and The Prestige regularly though. The IMAX shots in Interstellar are amazing in 4k HDR and I do enjoy the plot for the other two.
While I like the movie overall, I don't get the hype about the diner scene with the jump scare. Even watched a couple video essays explaining it and don't understand how it does what people say it does.
I am not an irritable person, but the ending of the whale Made me get up from my seat and yell "OH COME ON!" To the screen; Frustrating, corny , manipulative misery porn.
I would argue that while they aren't good, they are fun. I like to call them "shut your brain off movies", and I totally get why people wouldn't like them.
Like Fast and Furious for example. It doesn't have a good story, or writing, or really even great acting. But it does have some really great scenes of cool cars going really fast and sometimes I like to just sit and relax and watch that kind of stuff. At least up till like 5 or maybe 6. Then it starts to get a little too weird for me.
Honestly, any of the Monty Python movies. I know people love them, and they have a few funny jokes. But man are they ever drab, I just can't get into them.
I hate 20th Century Classic that has been so impactful on film making that it suffers from the Seinfeld effect. Every aspect that it pioneered is just so cliched now in retrospect - how dumb were people back then to have been entertained by something pop culture has completely imbibed over the past XX years.
I found the special effects to be laughable; especially the practical ones. How could you watch anything made before CGI matured to a decent level?
Don't even get me started on the actors. None of them went method and abused their fellow cast and crew in the name of art. Additionally the script did not past the Bechdel test which completely ruined any sense of realism that the characters might have been attempting to portray.
20th Century Classic is just one example. There are hundreds of films that don't even have colour cinematography. Pretentious people try to tell us black and white cinematography is "more dreamlike", pul-lease! Why would you want to watch something that doesn't look like real life? You might as well be reading a novel at that point - and the whole point of movies is to completely replace novels so we can consume stories more efficiently.
Don't @ me on any of this. Just hop on your penny farthing bicycle and ride off into the sunset to your hipster neigbourhood.
More of a genre than a particular movie, but any and all video game movies that aren't the 90s shitshow M•rio movie or the 3 live action Sonic films. I'm talking live action because there have clearly been good video games based animated films like... well I can't think of any right off hand, but they surely exist.
I’m gonna give the opposite answer than you want. I feel like most movies recently are like that but some I had to get into the right mood to enjoy them. The first time I watched the new top gun I thought it was garbage propaganda then I gotta into jet sims and think it’s an awesome movie. Same with mad max fury road, thought it was trash until I watched 1-3 then 4-5.
Princess Bride. The narrative framework of some shitkid not appreciating that his grandpa is Columbo ruins the whole thing. Those two characters should be cut out and then it can be good. ...Okay, Peter Falk can stay.
Remove Savage and all the other characters, and just have Falk tell the audience the story without any kind of "imaginary" scenes. It's just Peter Falk talking into a camera. Preferably wearing Columbo's signature trench coat.