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  • I thought this episode walked a really fascinating line in its approach to exploring the lived experience and cultural significance of mixed identities. Having the ancient alien species misinterpret Spock's Vulcan DNA as an anomaly/pathology was a risky move from a writing perspective given the potential for reproducing language and ideas associated with eugenics. But doing so allowed what what I thought was a more robust examination of Spock's character and his relationships, by way of separating one half of his identity from the other and seeing what happens (like a smaller scale of Community's excellent "Remedial Chaos Theory," which examined how the study group might be affected by the temporary removal of each group member in turn).

    There was plenty to laugh at, of course. Ethan Peck could easily have gone too over-the-top in playing Spock's surge in human emotions, but I think he threaded the needle really well in allowing through just enough Vulcan "muscle memory" (as it were) to tamp down the humania -- and he still managed to be extremely funny. And Anson Mount as always shined with his subtle (and hilarious) comic timing as the host of the engagement ceremony. Watch the way he snaps his fingers when T'Pring's father asks for more Tevmel --and how he continues on in wide-eyed stride on his way back to the group once Spock starts admitting to his "condition." Mount is a performer who knows how to blend into the scenery rather than chew it -- a distinct quality in a Star Trek captain and a consistently funny one to boot.

    But what really made this episode work for me was the heart in addition to the humor. I have a friend who remarked earlier this season that she doesn't understand why Star Trek is so obsessed with Spock's human side; she's much more attracted to his Vulcan side and is confused at what she sees as the constant efforts to make him "more human." I can see her frustration, and this episode certainly turns into that skid a bit. But the show isn't fantasizing or daydreaming about a Spock that's fully human -- it's using the idea as a tool to understand his fuller and more complex identity, and to celebrate what makes Spock Spock. And I absolutely shed tears when Spock came clean to T'Pring's parents about his condition, not just out of personal pride but as a way to express affection and appreciation for his human mother. What a wonderful moment.

    And I think this episode's true strength was in depicting how everyone in Spock's life understood that being made "more human" didn't make him better or more "fun" or more "relatable." Not once did anyone murmur to anyone else something like, "Are we sure we want to fix him?" (which I could easily see Dr. McCoy saying, for example). Instead, everyone understood fundamentally the unique value of Spock's half-human/half-Vulcan identity, and went to great lengths to bring it back. It might have been a bit corny to funnel that through Nurse Chapel's romantic feelings for him, and having her have to admit those feelings to an ancient alien species -- but it was smart, too. (And seeing her tell the Vulcan Science Academy that she didn't think their fellowship was ready for her made me literally pump my arm, by the way).

    Another solid Spock-centric episode in my book. I look forward to reading what everyone else thought!

  • "This is irregular. A complaint outside the response period." - those aliens are Germans. 😄

    Great episode. Just the right amount of whackiness to not make it too ludicrous. And it wasn't just comedy, at its core this episode had a human heart - no pun intended - with Spock connecting to his mother's burden.

    One thing that I realized, once again, is that I don't really know what Una's job on the Enterprise really is. She's barely doing anything. You'd expect her to accompany the away team at the end of the episode (or did they steal the shuttle, now that they know how to steal the Enterprise). For an XO she's barely noticeable. This isn't a complaint about this episode, it's a thread that runs throughout the series.

    To end on a positive note: can those costume designers finally get an award please? The outfits on this show are always so stunning.

    Edit: I just realized that the episode was written by Kathryn Lyn who also wrote one of Lower Decks' funniest episodes, "wej Duj". She seems to become Star Trek's go-to gal for comedy.

  • This episode was so much fun!

    I'll admit, reading the premise ahead of time (by accident because Liftoff app doesn't do spoiler tags yet oops) had me worried as I find a lot of attempts at "humour" in modern Trek tend to try way too hard and are just uncomfortable to sit through. But this was genuinely funny! Turns out Ethan Peck has great comedic timing, and Pike's background antics and reactions were fabulous. The dynamic between T'Pring's parents was a bit stereotypical but also extremely relatable.

    Also really liked what they did with Nurse Chapel in this episode. Her pain and desperation helped balance the episode and make it something more than just funny hijinks. The feelings of regret and survivor's guilt, the desperate need to fix something that wasn't even your fault, grief over losing (at least partially, in this case) someone you love. So many complex emotions shown on screen at once, all by one character, and entirely believably, was not something I expected from a "haha funny Spock" episode.

  • I had so much fun watching this episode. Spock yelling at his mom in a beanie like a teenager fucking killed me. This episode was filled with so much potential meme material - I can't wait to rewatch it to collect screenshots.

  • After some further thought, I have to make the observation that I think T'pring knew something was wrong with Spock. There are a few things that T'pring does that indicates she knows that whatever Spock is going through, it's more than he lets on. The main indication, to me, is when she held his hand after pouring the tea, which has to be excruciating to Spock. She helps him while he's pouring the water to ensure the tea is properly steeped. She initiates the end of the Ritual of Awakening; interrupting her mother because the timer has expired. She defends the memory Amanda and Spock share. I love T'pring because, regardless of the circumstance, she stands beside Spock and defends him in the best way possible.

    Unfortunately, by the time she realizes something is amiss, they are committed to the ritual and they cannot get out of it even if she would want to delay it. I still think that Spock, at the time, chose to not disclose his condition for good reasons. I'm still on the fence that T'pring would've accidentally revealed that during the mind meld with her mother. I'm still onboard that Spock made the correct decision, however I can say that he should of at least disclosed that something was amiss a little later on.

  • At first I was thinking, "I thought we had all agreed that we did not approve of hijinx" and I am totally unable to enjoy cringe humor. It doesn't make me laugh, just...cringe.

    BUT it turned out that it was in service of advancing two of Spock's most intimate relationships and wow, that packed a punch. It was like, for us 21st century humans, the first time you looked at your parent and saw them as a fully fleshed-out adult with their own struggles, not just "mom" or "dad".

    T'Pring was 100% right to feel slighted by Spock not confiding in her, though I don't think it was lack of trust on his part, I think it was more not wanting to have both of them in a situation where they had to deal with...hijinx. But that's what marriage is, committing yourself to another person first, always. And apparently Spock is not ready for that yet.

    • In Spock's defense... T'Pring was just saying that her mom would cancel the wedding if she found any deviations. Would T'Pring have been able to hide Spock's situation during the mind meld?

      • I thought the same thing myself. I do agree with Spock's motivation and the way handled it; I think T'pring's response of taking time apart is definitely emotionally motivated. As Spock mentioned that Vulcans feel more intensely than humans, assuredly T'pring (because she does truly love Spock) was quite angry and hurt he didn't disclose that he was human.

        The time apart might be necessary for T'pring to realize that Spock's actions were the best course of action given the circumstances.

      • If Spock had used that excuse it might have seemed logical. I suspect that it wasn’t used because the writers needed a stronger motivator for T’Pring and Spock to take a break and using that reason explicitly would weaken T’Pring’s decision.

        I can understand T’Pring’s hurt feelings. She’s been nothing but supportive of Spock’s humanity and his search for identity. She tolerates the long separations. She desperately wants the relationship to work, gets to know his friends and family and she even gives him tips during the tea ceremony like a partner is supposed to do. To her, they’re a team, but to Spock, she’s still an outsider who needs to be compartmentalized in favor of his shipboard family. Spock claims it’s because he wanted to protect her and to an extent it’s probably true, but the bottom line is that he doesn’t trust her to be helpful, and that’s not the way a partner behaves.

        No wonder that himbo Stonn’s in like a shot.

  • The Kherkovians remind me of my worst customer service experiences. I bet Yellow and Blue aren’t even their real names, just aliases to mask the rep of the day.

    I’m also convinced they have to be connected to the Bajoran Prophets somehow. A transport tunnel? An interdimensional liminal space? Come on!

    The Vulcan comedy of manners was hilarious, especially the Awareness ritual, which is basically every thing your in-laws hate about you but told to your face with no pretense. Pike trying to get them to play charades was a little too on the nose, I think, right up there with “You’re astronauts on some kind of Star Trek.”

    I was half convinced the mind meld would turn out to be a TAS: “Yesteryear” reference. Not gonna lie, felt a bit let down. They’re also really teasing us with this Korby stuff.

    I also thought the reason Spock didn’t tell T’Pring was because he thought there was a risk T’Pril might pick it up during the meld.

    While I enjoy them, I do hope the zany episodes don’t always revolve around Vulcans. As funny as they are (and teaching Spock how to talk like a Vulcan was gasping for breath funny) I don’t always want them to be the butt of the joke.

  • Whyyyy would Vulcan kitchens run cooler than starships? Vulcan is a desert planet and Vulcans as a species are accustomed to high temps -- which is even obliquely referenced in the ep when Amanda says that a Vulcan wouldn't even notice the heat from holding a boiling hot teapot barehanded. I would assume Vulcan kitchens to be higher temperature than even Vulcan living quarters, which should be higher than human-standard room temp. I can't think of any legitimate reasons why a Vulcan kitchen would be cooler than Pike's quarters at all, let alone so much cooler that it makes a manifest difference in fermentation rates.

  • So I'm not really the biggest fan of the episode. Felt a bit too obviously like mid-season filler or something. Though I didn't hate it.

    But what I actually really appreciated about it, reflecting on it just now, is that I don't think it was predictable, like at all. You couldn't quite tell if the episode was going to go full comedy, or romantic drama or some whacky sci-fi stuff with the wormhole aliens.

    And I think that might be one of SNW's strengths (?) A sort of comfortable and maybe confident fluidity around the tone and style it's going for in any episode and at any point in time.

  • Given the way that T'Pring and her father were acting, I thought for sure that all four of them were transformed into humans.

219 comments