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InitialsDiceBearhttps://github.com/dicebear/dicebearhttps://creativecommons.org/publicdomain/zero/1.0/„Initials” (https://github.com/dicebear/dicebear) by „DiceBear”, licensed under „CC0 1.0” (https://creativecommons.org/publicdomain/zero/1.0/)DN
decaptcha [none/use name] @ decaptcha @hexbear.net
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10 mo. ago
  • Really enjoying the new Magdalena Bay tracks, Second Sleep especially. Spent some time learning the chords by ear and was really pleased with what I found in the B section and the outro. Feels like the song is in the key of B major overall. Those sections are are underpinned by a C#-B vamp, and if we're in B major that's a II-I vamp. That gives a very Lydian feeling thanks to the presence of the F natural from the C# triad. Lydian scales are the same as the major scale but with a raised 4th degree, and for B Lydian you'd raise the E to E sharp which is enharmonic with F.

    In fact a good way to provoke a Lydian feeling in music is to start with a song in a major key, make sure you clearly define your I chord as your tonal center, but instead of using a minor ii chord like you're supposed to, turn that into a major II by sharping the 4th degree of your key's major scale. This kind of modal mixture is what's going on in Second Sleep and I love it. Lydian modes are great at conveying a dreamlike atmosphere and this hits at the point of the song where the lyrics shift focus from reality to something else, and the outro leaves us feeling strange and unsettled. Another great example of storytelling through composition from this group, great shit