Noooooo you can't make a microtransactions free game and finished too 😭😭😭

BG3 did have a pretty huge budget though. I would totally be fine if games took notes from BG3 but reduced scope a lot. Bioware used to make games similar to BG, but they stopped and now make garbage. The idea other studios can't make similar games is wrong. They can't make games this big usually though without publishers telling them they need to include microtransactions and other bullshit.

BioWare didn’t just make games similar to Baldur’s Gate, they created Baldur’s Gate.
- Yep, you're right. I didn't realize they were a studio at that point. Yeah, they have no reason to complain about new expectations. They could have created BG3 if they had kept doing what they were known for, but EA and the money were too good...
- Wasn't that Black Isle? Or had they already evolved into their future downfall? It's been a hot minute since I've last looked at BG credits.
  
  Black Isle was the publisher, Bioware developed the game. Baldurs Gate lead to BG2, which lead to Neverwinter Nights, which lead to Knights of the Old Republic.
  
  which lead to Knights of the Old Republic
  Which lead to Mass Effect, don't forget
  
  True, but IMO the link wasn't nearly as strong between KotoR and ME as any of the previous games in the link which were all clearly D&D based systems. ME1 had a lot in common with KotoR but there were some major deviations too as they moved away from the table top standard.
  
  TIL Baldurs gate is the reason i hated the ending to ME3.
  
  Kind of! Though if we are being entirely honest, the real thing to blame is the head writer being replaced and the dev time cut by almost a year.
  Personally would have enjoyed it more if they went with the Biotics/Dark Energy that Drew Karpyshyn had put down groundwork for, rather than the AI subplot that Mac Walters hastily slapped together for ME3 that directly contradicted ME1 threads and subplots.

Lower budgets would probably be better. High budgets mean high risk, developers and publishers try to minimize that risk and you get bland games that try to cater to too many tastes. Movies suffer from the same problem. They get budgets in the hundreds of millions and you wonder what they spent it all for.

High budgets are killing the film industry. In the case of gaming, it plays a factor, but greed is probably the main issue. Most big budget AAA games in the past made large amounts of money even if they didn’t have universal appeal. Because companies realised that they could make large amounts of money off loot boxes, microtransactions, cash shops and battle passes, they started trying to funnel players into games, mainly so that players would buy things. That’s one of the main reasons the AAA industry is getting worse: games need to appeal to as many as possible, while coming out as fast as possible, all so that players will buy the overpriced in-game items endlessly shoved in players’ faces.
- I love me some good AAA games and want them to stick around. But I think it would be much better if they were a bit fewer and further between, and the big studios shift to more regular AA games, and give their devs chances to do some more oddball stuff with even lower budgets. More expiremntation and risky projects can only enrich the industry.
  
  You never know what those experiments can lead too. There will be a lot of failures however someone is going to look at the failure and realize what needs to be need to be tweaked.
  
  Good point. And it's a lot easier to accept 'failure' (there could still be something learned in a game that doesn't quite hit the mark) if the budget isn't astronomical.
  There are games like FFXV that get quite creative on a big budget. (Not sure if it's AAA.) I enjoyed that game but some of the novel features bugged me a little bit and they skimped on some important features, I thought. Maybe there's a better formula for trialling novelty than an all or nothing approach.
I can't remember who it was. A famous actor, anyway. They were talking about what's happened with movies. There's nothing in the middle.
It's either $100m+ or less than $3m. Either it gets a big producer and they pump so much money into it that it must be safe because it can't lose money. Or is a small producer doing it for the love, but a small budget doesn't go very far. The risky narratives done well would be funded somewhere between the two extremes but it's just not how it's done anymore.
In a strange way, to get more money in for the riskier productions, we need to get the money out of Hollywood. Can't see it happening, myself.
- You can't? We just had a summer filled with high-budget flops, and now both the actors and the writers are on strike meaning that the studios won't be able to recoup their losses any time soon. Add the reduced to non-existent theatre turnout in the first couple of years of the decade due to COVID and there's been a hell of a lot of money "getting out of Hollywood."
  
  I disagree that a flop means lost revenue. This is an industry that's so adept at hiding income to avoid paying taxes, actors, and every other studio worker that dodgy accounting is known as 'Hollywood Accounting'. Maybe we're talking about different things. When I say Hollywood, I mean the movie industry as a whole.
  Hollywood has failed to capture some income streams. From theatres, for example, as you say. But there's still too much money to be made (and too much propaganda potential) for enough big money to leave that the problems of monopoly finance capital go away.

Yep. The final fantsay series was a bunch of lads in an attic. Now those lads are legends.. with a fantasic legacy. Yet I'm still waiting for ES5 and GTA 6..

from small studios operating on pizza and hope.

And that's how it started.

You could give studios unlimited budgets and they'd still complain they don't have enough time / money to get things right. The rhetoric is that "games are just so complex nowadays" and that justifies their 4/5/6 year development periods.

I'm not seeing the complexity that warrants that type of long development period. The visual fidelity on some games is impressive, but is it actually worth that 5 year dev time?