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Self-hosted music streaming (and me giving up on it)

This post is mostly just me removed about the music industry but also genuine interest in what other people in this community do when it comes to music streaming. Apologies if this is an incomprehensible wall of text.


My favorite self-hosted project is Navidrome. I've been running it for years and it's been absolutely perfect the entire time. Related clients like Supersonic and Tempo have been fantastic as well. More than half of my donations to open source software have been to music related projects like these, I use them for multiple hours every day.

I'm giving up on using them though, because actually obtaining the music to stream has become harder and more expensive every year. Unlike self-hosted movie/tv streaming, the primary reason I self-host music is to support the artists. I feel better paying $10 for an album I enjoy compared to the artist getting pennies from me streaming it. I'm sure as hell not doing this to save money, I spend around $30/month on average on new music.

My only criteria for buying music is that it's at least CD-quality. Going back a few years, my options (ordered by preference at the time) were Bandcamp, Qobuz, 7Digital, the artist's own website, physical CDs that I'd rip myself, then finally giving up and using Soulseek. Bandcamp and Qobuz would typically cover 95% of what I was looking for, I'd rarely need to use Soulseek.

But over the course of those past few years...

Bandcamp was bought by Epic, then sold to Songtradr, half of its staff were laid off, and it's been a shell of its former self ever since. It seems like Bandcamp is now mostly ignored by artists, with albums rarely releasing or releasing far later than other platforms. It's genuinely a surprise when I find the artist or album I'm looking for on Bandcamp at this point.

Qobuz has been experiencing rapid enshittification as they try to get people to subscribe to their streaming service. Dark patterns added throughout the purchase and download process, albums being pulled from my account, and albums becoming more expensive (I'm seeing a whole lot more $15-$20 albums than $10 albums now).

7Digital is dead.

Artist websites rarely offer lossless downloads anymore. Last time I bought an album directly from an artist was Madeon in 2019, and that's now an archived page you have to go out of your way to find.

CDs are somehow still a reliable option, but I just cannot justify this anymore. At some point having a collection of 250 plastic discs that I rip precisely once and then store forever just doesn't make sense. I'm tired of buying physical clutter to get digital files. I sold a sizable chunk of my collection a few months ago.

Soulseek, the "fuck it I'm pirating it" option whenever I can't buy an album through any available means. Surprisingly even Soulseek seems to be suffering, I used to be able to find anything, but now even a slightly obscure release can be hard to find.

So now, my preferred options are Bandcamp, Qobuz if the album is less than $15, then Soulseek. I'm using Soulseek a hell of a lot more now, which defeats the point of why I do this in the first place. So fuck it, I subscribed to Tidal.

But like, what the fuck? Why is it so hard to give artists more money?


So, for others who self-host their music collection, or even still rock an iPod or something, what do you do? Do you buy lossy releases? Do you pirate everything? Is there a magical website that has every album for sale that I just don't know about? CDs? I can't be the only one with this problem, but I haven't seen anyone else talk about it.

62 comments
  • The answer to your question of why it's so hard to give artists your money is exactly the same as it has been for ages for all media. The few companies who survived the consolidation of the industry have done everything in their power to make sure they are the gatekeepers of content. They buy and merge or kill off any competing companies or technologies.

    They weren't successful with MP3s or with streaming because they didn't bother to understand the technology or that the Internet was the new marketplace and thought they could just do what they had done with physical media and pay for laws that protected their interests and sue everyone, but they ultimately lost control because you can't sue hundreds of millions of people like you can sue a few thousand stores. So they had to give the people what they wanted for a while so they could have time to buy up all of the companies.

    But they've now done that and paid enough to get the laws and precedents on interpreting those laws that they wanted, so courts are becoming better at enforcing those laws more quickly. So they can pressure new tech that pushes the limits on interpreting the laws to not last long enough to get people hooked. And now that they've reconsolidated most of the market and technologies as capitalism tends to do if you're patient enough and there's no possibility of monopoly regulation or market disruption, we're stuck with pirate or use the garbage they feed to us and most artists are back to having to sign their art away and sleep with executives to get the marketing and distribution from the gatekeepers just to get a chance at success. The rest have to rely on word of mouth and self distribution which even online can be expensive without the advantages of centralized hosting providers, merchant accounts, and bandwidth.

  • Piracy. I'd buy albums if I had money, though. I'll slowly phase into getting them once I get some more cash.

    I can find most stuff I listen to, and I rarely grow my music library. I mostly listen to 20-30 albums, with some more mainstream music peppered in.

    My music library currently sits at 90 gigabytes (mostly flacs), so quite small compared to others I've seen around here. Still, I have plenty of variation to keep me entertained :D

    If you have Tidal, aren't there some apps to rip the lossless audio from there? You could get most of the stuff that you need, and then cancel the subscription. If you feel bad, maybe order some merch from the band, haha.

  • bandcamp and piracy are still the main routes. try to look at the artist's soundcloud too for links to what they use. some genres (like trance for me) still heavily use soundcloud

  • The music being removed from your account shit shouldn't be legal. You paid for it they should be refunding you if they are removing access, in a perfect world anyway.

    Assuming the US when I say this but, some year we'll have consumer protections, I'll likely be dead by then but hopefully the day will come to light.

    That being said I have never heard of soul seek, it sounds like a limewire spinoff? I agree music industry has /sucked/ in terms of obtaining stuff

  • So mostly I try to get my music from Bandcamp, artists' websites, or iTunes. With these methods I don't have to correct any info through Kid3 and normally have the correct album art for Navidrome.

    If they don't have an option to purchase their music I'll use soulseek or yt-dlp to download it. That's normally for obscure artists, music that can't be sold due to Copyrights, or sanctioned countries (for example Russian musicians).

    I've found that self-hosting my music has helped me slow down my music consumption and be more picky about what I listen to. I've also found good quality applications such as Feishen (macOS), play:Sub (iOS), and Symfonium (Android).

  • I don't self-host my music streaming currently (lack of funds) but I'm planning to in the future. I live in a large city and borrow CDs from the library to rip at home. This might not work for more obscure stuff or if you don't have a good library in your area, but this way I don't need to make more space for CDs and I support the library doing it. If I want to support artists, I get merch and/or go to concerts.

  • I mostly use Spotify, but have the flacs of a few albums I really like on navidrome. As for how I got them... Yeah. I do have the for CDs a few of them but I don't have a CD reader and most of them are completely destroyed, so I feel like piracy is justified for those.

  • I buy music, at least CD quality. I might splash out for 24-bits if given the choice (only because it seems to be standard on Bandcamp so for consistency I aim for the same in other stores), but not for > 48 kHz.

    I upload to my server for archival purposes, but will convert to mp3 to sync to my devices. I buy CD quality poorly for archival purposes. I can't tell the difference. Plus I have navidrome and I can stream, but having my entire library available at all times, even when offline, is very important to me.

    I buy, in order of preference, from Bandcamp, 7digital, and only as a last resort from Qobuz. If even Qobuz doesn't have something then I go on Amazon to buy the CD. I hate Qobuz ever since they removed the download all button. I remind them of it with the feedback form with every purchase. It was the reason I will prefer 7digital over Qobuz. I don't know why you say 7digital is dead. They have up to date titles for the music I care about (metal). The only thing I dislike about 7digital is the http (no https) download, but I'd rather risk that than support Qobuz with its dark patterns.

  • I buy phisical media and lately I'm listening to internet radio again. There are streams in flac even.

  • I use Jellyfin and Finamp and they work fine. All the old navidrome and airsonic solutions seem to be dead, and I never liked Funkwhale. Who wants all of their music in encrypted block storage?

    I also like the quality bump. When I'm not streaming, my music is in FLAC on a DAP with some high quality cans. I can't get that with Spotify on a phone, and I camp and hike a lot in areas without cell service, so having it with me is a plus.

    Music sits in between storing movies and books. I have less than 2TB in total but the amount of albums is more than the amount of films that I have, and that's 7TB+. Music, even FLAC, isn't terrible on space, unless you're a 24-bit fiend.

62 comments