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  • 2001: A Space Odyssey (1968), at the time of its release, was based on a short story called The Sentinel by Arthur C Clarke. In that story, the roots of the Tycho Monolith plot segment of 2001 of is sketched out, and then expanded as both a screenplay and a full-length novel.

  • I just went through my entire favorite movie and show list and couldn't find a single one. I can only find ones where the adaptation is great, because it limits its focus while still keeping the overall spirit of the original. Or ones that tell a very different story, but manage to do it well.

    Dune, all quiet on the western front (1930s one), total recall, it's a wonderful life, blade runner, I claudius.

    • Total recall (1990) was better than the book it was based on IMO.

      • It wasn't even a book, more a sketch, a joke even. A lot (most?) of the adaptations of PKD's writing are better than the original. And yet, the core concepts, about the nature of humanity and reality, break through and inspire some truly great work.

    • Fargo?

      Or what we do in the shadows

      • Haven't seen what we do in the shadows, but fargo would be a tough call for me. Both the film and the show are wonderful.

  • Even the author agrees Fight Club the movie is better than the book.

    • Is Interesting that in the Chinese version of Fight Club, its end with a message saying that after the final scene the narrator was arrested and institutionalized and the movement disbanded, making it more faithful to the original ending of the book.

  • Invincible. The comics are great, but I think the show dramatically improves a couple characters

  • Both film versions of Solaris, though for vastly different reasons. Lem's original novel is super dry and hard sci fi, like most of Lem's work, which isn't my favorite kind of sci fi. Both films really delve into the fascinating psychological questions of the situation Kelvin finds himself in. The Tarkovsky version is the best, unsurprisingly, since Tarkovsky is the GOAT, but I also really enjoy the Soderbergh version with George Clooney. The latter is hollywoodized compared to the Soviet version, but still is a really interesting and gorgeous movie

  • They Live.

    The Thing but not The Thing From Another World.

    Most things based on the work of PKD.

    A lot of Lovecraft adaptations have to be a bit loose (because his stories tend not to lend themselves to films and he wasn't a good person) and are all the better for it - Re-animator, From Beyond, The Color Out of Space, Dagon, etc. plus quite a few fan films.

    Flash Gordon film.

    The first two Blade films - they struggle to make great Blade comics.

    The Legion TV series.

  • "The Manchurian Candidate" isn't a great book.

    • Gotta disagree, the book is extremely entertaining, and has an element of satire that's missing from the movie. I agree that the movie is one of the best ever made tho, and I'm not sure which one I like better, because it's so well done.

  • Stalker. The movie, not necessarily the games.

    Roadside picnic is a fantastic book that feels thrilling for a scifi story. There's everything you could hope for, from deep philosophical questions to fictional technology that's described in a way that fascinates but doesn't attempt to over-explain; there's political implications to the geopolitics of the time that the authors consider. And at the center, an anti-hero who just wants to get his wish fulfilled and get out of this place, who's willing to make a deal with the devil for it.

    To take all that and reimagine it as a long trialogue in an eerily deserted nature reserve/post-apocalyptic wasteland that touches upon all sorts of deep philosophy—from the divine to whether we can truly know ourselves; the struggle between logic and creativity; the vast ineffability of the natural world, not so much as Man vs. Nature conflict but as a reminder of how large and apathetic the natural world is to humanity—while maintaining a strained atmosphere of invisible threats that we never see. I could draw parallels to Dante's Inferno and Sartre's No Exit. ::: spoiler Stalker ending spoiler Then for the protagonists to leave empty-handed after it all, too afraid to find out who they truly are deep down. ::: chef's kiss

    It is one of the most aesthetically beautiful films I've ever seen, and does something I wish more filmmakers would do: focus on atmosphere rather than plot and action. It sounds boring, but it was a transformative work of art.

    It's dark, it's broody, it's strangely serene. I love it so much.

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