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What criteria do you use to determine whether a book is worth your time?

It is not possible to read all the Sci-Fi books out there. So you must have a process for selecting what you do read. Reading a book is an investment in your time. Your time is valuable. No one wants to waste that time reading unworthy books.

I have never codified my criteria. And it has changed and evolved over time. I suspect it will continue to change moving forward, as who I am tomorrow is not who I was yesterday.

What is your criteria to date?

Mine is that it must meet ALL the following criteria, some objective and some subjective.

  • it must have at least 1,000 reviews
  • it must have at least 70% 5-star reviews
  • if after reading about it I get the suspicion that it's a romance disguised as Sci-Fi, I automatically reject it no matter what
  • if it's YA, it really needs to be exceedingly compelling to choose it
  • Space Opera also needs to be exceedingly compelling
  • if I get the feeling it's trying to preach I'll reject it
  • if i get the feeling it has (messaging, strong opinions, or political overtones) about today's societal issues, I probably won't choose it. Not judging; I primarily read for escapism.

I guess that's about it. There's probably more but I just haven't put that much thought into it yet.

I'm very interested in how y'all decide to choose a book to spend your valuable time reading.

42 comments
  • First off the concept, as introduced on the back of the book, or in book-yakking circles (like this) or such must be something that interests me in some way. This means that if the books seems too political in focus ("left" or "right"), for example, I don't engage. That's not what I read SF books for.

    Second, if the concept intrigues, I have to get a hint that it isn't just a rehashing of something I've already read. I need to read a new take on a concept, not Yet Another Evil Empire Cut Down By Rebels space opera, complete with laser swords, say...

    Third, if it gets to this stage, I'll find a free ecopy somewhere and I'll read the first 50 pages in a "try before you buy" thing. The author has to grab my interest in 50 pages, no more. If by page 50 I'm not sufficiently intrigued that I'm willing to shell out money, I don't shell out money. The ebook is deleted and the book is put into my mental "do not enage" bin alongside books whose very concepts don't interest me.

    If, however, by page 50 the book intrigues me, I'll start the difficult task of hunting down hardcopy and buy it when I find it.

    • I understand and agree regarding a stale take on an existing trope. It is hard to find a new take on a concept, but just as you, that is exactly what I'm looking for too.

  • Strangely I don't choose based on any set criteria and my choices often change with my mood. However, I have a threshold that the book must cross to be kept, so that at some point I will reread it knowing what mood im in and looking for that style, otherwise I donate it.

    • What's the threshold? Can you articulate it, or is it more of a feeling to match your mood, or something like that?

      • Mood, absolutely. For example if I want something lighthearted & somewhat whimsical I'll pick up J. Scalzi or Hamilton, books, usually during our busy season when I just need to unwind) When when I want something to ponder over, have more time on my hands (slow season) I'll pick up A. Reynolds or S. Baxters. When I'm in a shit mood and want to know someone is having a worse time it'll be G. Bear, or a couple other single titles (ship of fools, an exchange of hostages, armour, etc) And then there is absolute space trash for pure escapeism, usually the horus heresy.

  • Honestly I just read the biggest classics and hits. Usually they're classics for a reason, and even if it's not to my liking, at least I learn something new and can cross it off the bucket list.

    Now that I think about it, scifi is somewhat monocultural - is that a word? - this way. The consensus what's good and what's not, and why, seems to be higher than in real world fiction.

    I do listen to more audioshows than books and it's kinda the same. If something becomes very popular, it's likely to be better than average. Although I've found some sleeper hits too, and nothing really bad. Producing an audio show is probably harder than writing a book.

  • You have very strict and specific criteria! I feel like there's just not that much good writing out there, and that I really have to search for it. Of course by "good" I mean in the subjective sense, good to me. There are very well-received books that I didn't enjoy at all, and some pretty awful light reading that I can't stop thinking about, Reviews and ratings really mean very little to me, so I mostly ignore them. That's especially true on Goodreads and BookWyrm where people seem to want to tell you that the book they liked wasn't THAT great.

    I just read the blurb, and if it sounds interesting I'll check it out from the library. It's almost always available as an ebook or an audiobook, and even if I have to place a hold I can read a sample. I usually know within the first few pages if I like the style, and if I'm willing to continue. I drop many, many book, and I'm not worried about missing out on anything.

    If one of my friends recommends a book I usually give it a shot, but I'm not afraid to drop those either. There are a couple of people whose recs always work out (thank you Cristina!), and those I just jump into right away, but that's only literally two people. Most of my friends don't really read in order to discuss what they're reading, and some don't even read at all 🤷🏻‍♂️

42 comments