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Barbie success as progressive media (Dean Obeidallah scan and opinion) stands out as Paramount seems to be less confident in representation in Star Trek.

www.cnn.com Opinion: ‘Barbie’ breaks box-office records while crushing right-wing outrage | CNN

Voices on the right have been urging a boycott of the “Barbie” film, but they just learned they are no match for the Mattel doll, writes Dean Obeidallah. The movie is breaking box-office records.

Opinion: ‘Barbie’ breaks box-office records while crushing right-wing outrage | CNN

Barbie has been a summer juggernaut as a cinematic feature despite outrage from the right in the United States. Dean Obeidallah argues that conservative boycotts and backlash only have traction in specific niches where their adherents are the majority of the market.

One wonders if Paramount will take note as they strategically rebrand their streaming offerings. Unfortunately, it seems they’ve been headed in the other direction.

While Discovery led the way in representation across many diverse groups, some of us have been concerned that Picard season three pulled back to more traditional gender roles and an emphasis on white cis-male heroes. SNW has a large female main cast, but the OG female command officer Number One doesn’t seem to be getting much opportunity to show heroic leadership.

Thought this conversation might be less fraught over here at Quark’s.

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  • Trek has always pushed the boundaries of representation from women and people of color in leading/main roles to mixed race romance, non binary gender identity, lgbt, etc etc.

    SNW’s XO has had opportunities to shine and she will have more in the future as her character is explored (I haven’t seen the new season yet tho) Just like the other women, as you said, it’s female heavy cast (which I love, esp. La’an!) so why is this captain being a white male notable here? We see Discovery with female captains, seven is well on her way to being captain (haven’t seen Picard S3 yet) and has flexed her strength throughout Picard. Lower decks follows a ship with a female captain and her daughter who is an incredibly skilled person in a lesbian relationship.

    SNW having a man as a captain in my mind does not equate to moving the emphasis back to white cis-male heroes (he is the only white cis-male on the cast mind you, aside from Spock who isn’t completely human. In fact, I find “discovery led the way in representation” as a bit extreme. You’re not seeing by any means, (Relevant video: Star Trek's First Gay Ship-Mates? The Star-Crossed Romance of Garak & Bashir it is an excellent break down of the many ways all parts of trek has pushed and championed diversity and representation.)

    Discovery definitely made bigger strides on this of course and the vid mentions this as well, very necessary and overdue for Trek fans.

    Looking at all of the new trek, I see progress but I don’t see the regression. Maybe that’s because I don’t see a problem with mixing old and new in that perspective, given an equal distribution. Male captain heroes are welcome just as much as women captain heroes. Diversity is what makes the Federation strong and that has always been an underlying theme throughout trek.

    I don’t see conservative bigots having much impact on trek these days, not like it used to be with Steve fucking berman anyway (fuck you steve). Trek has always been politically progressive

    Could you perhaps provide other examples of Trek’s regression/other direction in shifting emphasis back towards cis-white male heroes and trad gender roles? I’m just not sure the statement holds up because SNW has a male captain. Every piece of new trek I can think of has had empowerment and representation for LGBTQ, PoC, and women in general.

    Plus there is lore precedent for Spock to serve under Cpt Pike previous to Kirk and all that

    • Thanks for engaging.

      Yes Star, Trek has always been progressive, but Voyager, DS9 and Discovery stand out in the way they have given women, people of colour and the LGBTQ communities competent role models in positions of authority.

      I’m not entirely convinced that Paramount is backing off representation, but I do see why fans in several communities are seeking reassurance about how progressive the shows in this era will continue to be after

      — Discovery’s fifth season was unexpectedly announced as its final one

      -- Prodigy was pulled

      — Picard season three was positioned and had overtly targeted marketing towards some of the disgruntled, overwhelming male and vocal fan critics of the other new shows and made a pitch for a Legacy show with Picard’s white male son as the future principal character.

      More, Paramount+ has pushed forward towards the middle American market with the Yellowstone franchise and live sports while announcing cancellation of shows targeted at women, kids and the LGBTQ community as part of a strategic realignment.

      While a menu of Star Trek shows should have room for everyone, including those who directly stated (on YouTube and in brigading of review platforms) that they felt excluded by the strong female, black and LGBTQ representation of Discovery, I can also understand why those who had only previously seen themselves in secondary characters and occasional storylines are concerned when the remaining live action Trek shows are headed by white male leads.

      Yes, SNW had to be headed by Christopher Pike, and Spock needed to be there too. However, Number One continues to be overshadowed by other characters, and another male character, Jim Kirk, is frequently fulfilling the role in the stories that a first officer might be expected to. So, even with a strong contingent of female characters, it’s disquieting.

      In terms of what’s to come, we should be confident, but somehow we’re not. The truth is that we don’t know what the ensemble for Starfleet Academy will be, or who the principal character will be, but we’re promised the show will be diverse. We also have a Section 31 movie event to come with Michelle Yeoh. The strikes and agitation from some fans against these two greenlight announcements are enough to create genuine uncertainty.

      Many of those keen to see Legacy go forward are seeing this as a zero sum game where Academy would need to cede way to it. Whether Legacy happens, and whether it will be focused on Jack Crusher as the principal character is yet to be determined. There’s clearly a large audience hoping for a new 25th century show but the final concept and balance of the ensemble would be the question.

      What the Barbie-Oppenheimer dual success opening weekend suggests is that it’s absolutely possible to serve different market at the same time and increase the total audience.

      Kurtzman has been incredibly smart and strategic in pressing for a menu of shows to move the Star Trek franchise forward. I just hope that Paramount takes the lesson and keeps going forward with shows that serve all the niches.

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